Dvorak's Rusalka with Opera Queensland
For the first time performing a whole opera with her husband Vladimir Fanshil…
Dvorak's Rusalka with Opera Queensland
For the first time performing a whole opera with her husband Vladimir Fanshil…
Dvorak's Rusalka with Opera Queensland
For the first time performing a whole opera with her husband Vladimir Fanshil…
Dvorak's Rusalka with Opera Queensland
For the first time performing a whole opera with her husband Vladimir Fanshil…
Dvorak's Rusalka with Opera Queensland
For the first time performing a whole opera with her husband Vladimir Fanshil…
Mahler's 8th : Tokyo Metropolitan Symphony Orchestra
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Mahler's 8th : Tokyo Metropolitan Symphony Orchestra
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Mahler's 8th : Tokyo Metropolitan Symphony Orchestra
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
BRAHMS: UN REQUIEM ALLEMAND
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
BRAHMS: UN REQUIEM ALLEMAND
À propos
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Distribution
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
BRAHMS: UN REQUIEM ALLEMAND
À propos
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Distribution
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
BRAHMS: UN REQUIEM ALLEMAND
À propos
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Distribution
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
BRAHMS: UN REQUIEM ALLEMAND
À propos
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Distribution
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
Beethoven: Missa Solemnis
Beethoven – Missa Solemnis
Conductor Umberto Clerici
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
Ludwig van Beethoven
Missa solemnis for solo, chorus and orchestra, Op. 123
Beethoven IX: Duisburger Philharmoniker Neujahrskonzert 2026
FREUDE, SCHÖNER GÖTTERFUNKEN
Beethoven IX: Duisburger Philharmoniker Neujahrskonzert 2026
FREUDE, SCHÖNER GÖTTERFUNKEN
Verdi: Messa da Requiem with Queensland Symphony Orchestra
If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.
Verdi: Messa da Requiem with Queensland Symphony Orchestra
If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.
Rossini : Stabat Mater with Tasmanian Symphony Orchestra
The main work in this concert is the Stabat mater by Rossini, which was composed after the hugely successful composer had retired from the opera house. A setting of an age-old religious poem, the Stabat mater ponders the grief of Mary, the mother of Christ, as she stands at the foot of the cross. Compelling and emotive, this large-scale work for orchestra, chorus and four vocal soloists presents Rossini at the height of his powers.
City of Birmingham Symphony Orchestra: Poulenc
Singing, dancing, tinkling the ivories à la France!
Berlin Radio Symphony Orchestra: Dvorak Stabat Mater
Ein Absolutum von Dvořák – dirigiert von Philippe Herreweghe
Beethoven IX: Stuttgart Liederhalle
A call for unity that resonates through history as an echo from the past.
Beethoven IX: Philharmonie Essen
A call for unity that resonates through history as an echo from the past.
Beethoven IX: Paris Philharmonie
A call for unity that resonates through history as an echo from the past.
Beethoven IX: Antwerpen
A call for unity that resonates through history as an echo from the past.
Beethoven IX: Poitiers
A call for unity that resonates through history as an echo from the past.
Mahler Symphony No. 2, Teatro Regio, Torino
Un’epica meditazione sulla vita e la morte, una musica lussureggiante capace di accostare marce, danze rustiche e voci celesti!
MSO Season Opening Gala : Mahler Symphony No. 2
When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”
MSO Season Opening Gala : Mahler Symphony No. 2
When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”
Traumreisen : Deutsche Radio Philharmonie
In Kooperation mit dem Referat Kultur der Stadt Kaiserslautern…