Debut with Boston Symphony Orchestra

Debut with Boston Symphony Orchestra

Debut with Boston Symphony Orchestra

If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.

If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.

The main work in this concert is the Stabat mater by Rossini, which was composed after the hugely successful composer had retired from the opera house. A setting of an age-old religious poem, the Stabat mater ponders the grief of Mary, the mother of Christ, as she stands at the foot of the cross. Compelling and emotive, this large-scale work for orchestra, chorus and four vocal soloists presents Rossini at the height of his powers.

Singing, dancing, tinkling the ivories à la France!

Ein Absolutum von Dvořák – dirigiert von Philippe Herreweghe

A call for unity that resonates through history as an echo from the past.

A call for unity that resonates through history as an echo from the past.

A call for unity that resonates through history as an echo from the past.

A call for unity that resonates through history as an echo from the past.

A call for unity that resonates through history as an echo from the past.

Un’epica meditazione sulla vita e la morte, una musica lussureggiante capace di accostare marce, danze rustiche e voci celesti!

When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”

When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”

In Kooperation mit dem Referat Kultur der Stadt Kaiserslautern…

More than just an ode to joy, it is an ode to peace…

More than just an ode to joy, it is an ode to peace…

More than just an ode to joy, it is an ode to peace…

200 Jahre Ode An die Freude. 200 Jahre Beethovens Neunte Sinfonie.

Beethoven’s enduring masterpiece makes a triumphant return in 2024!

Beethoven’s enduring masterpiece makes a triumphant return in 2024!

Beethoven’s enduring masterpiece makes a triumphant return in 2024!

Award-winning Australian soprano Eleanor Lyons joins Ensemble Liaison for an evening of transcendent chamber music.

Clerici is back to the podium in Four Last Songs, where Australian soprano Eleanor Lyons soars over Strauss’ exquisitely atmospheric melodies that don’t feel out of place next to Wagner’s Overture to The Flying Dutchman.

Clerici is back to the podium in Four Last Songs, where Australian soprano Eleanor Lyons soars over Strauss’ exquisitely atmospheric melodies that don’t feel out of place next to Wagner’s Overture to The Flying Dutchman.

Freedom! This production of Fidelio from 1989 is one pinnacle in the history of opera in Dresden.

Freedom! This production of Fidelio from 1989 is one pinnacle in the history of opera in Dresden.

Freedom! This production of Fidelio from 1989 is one pinnacle in the history of opera in Dresden.