Mahler's 8th : Tokyo Metropolitan Symphony Orchestra
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Upcoming performances
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Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Mahler: Symphony No.8 in E-flat major, “Symphonie der Tausend”
Ich will euch wiedersehen…
Ich will euch wiedersehen…
For the first time performing a whole opera with her husband Vladimir Fanshil…
For the first time performing a whole opera with her husband Vladimir Fanshil…
For the first time performing a whole opera with her husband Vladimir Fanshil…
For the first time performing a whole opera with her husband Vladimir Fanshil…
For the first time performing a whole opera with her husband Vladimir Fanshil…
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
Brahms sings of humanity, and David Bobée gives it a face. In a powerful staging where the wounds of the world meet the fervor of music, this German Requiem moves and enlightens in equal measure.
In 2022, their collaboration on Beethoven’s Fidelio left a lasting impression. Stage director David Bobée reunites with Laurence Equilbey and Insula orchestra for Ein deutsches Requiem. Johannes Brahms described his Requiem as a “human requiem”, universal before religious. David Bobée imagines a striking staging marked by the visual power of a smoking airplane fuselage crashed to the ground. Today’s concerns echo through the dark romanticism of Brahms.
This concert is interpreted in period instruments.
Eleanor Lyons
soprano
John Brancy
baritone
accentus
Insula orchestra
Laurence Equilbey
conductor
David Bobée
stage direction
David Bobée et Léa Jézéquel
scenography
Mayuko Tsukiji et Samuel Bobée
costumes
Wojtek Doroszuk
video
Franck Krawczyk
musical arrangements
Stéphane Babi-Aubert et Léo Courpotin
lighting
Jean-Noël Françoise
sound
Conductor Umberto Clerici
Teatro Massimo Orchestra and Chorus
Chorus Master Salvatore Punturo
Ludwig van Beethoven
Missa solemnis for solo, chorus and orchestra, Op. 123
Debut with Boston Symphony Orchestra
Debut with Boston Symphony Orchestra
Debut with Boston Symphony Orchestra
If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.
If you’re hanging out for a mammoth vocal event in 2025, this is it. Not only do we have the Brisbane Chamber Choir Collective joining us on stage – we’ve also invited four top-tier soloists to sing alongside our orchestra in this impassioned performance of Verdi’s Requiem.
The main work in this concert is the Stabat mater by Rossini, which was composed after the hugely successful composer had retired from the opera house. A setting of an age-old religious poem, the Stabat mater ponders the grief of Mary, the mother of Christ, as she stands at the foot of the cross. Compelling and emotive, this large-scale work for orchestra, chorus and four vocal soloists presents Rossini at the height of his powers.
Ein Absolutum von Dvořák – dirigiert von Philippe Herreweghe
A call for unity that resonates through history as an echo from the past.
A call for unity that resonates through history as an echo from the past.
A call for unity that resonates through history as an echo from the past.
A call for unity that resonates through history as an echo from the past.
A call for unity that resonates through history as an echo from the past.
Un’epica meditazione sulla vita e la morte, una musica lussureggiante capace di accostare marce, danze rustiche e voci celesti!
When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”
When he started writing in 1888, the then-28-year-old Mahler faced a series of intense existential questions. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!”
In Kooperation mit dem Referat Kultur der Stadt Kaiserslautern…
200 Jahre Ode An die Freude. 200 Jahre Beethovens Neunte Sinfonie.
Beethoven’s enduring masterpiece makes a triumphant return in 2024!